The Louis Vuitton fashion brand said: “Ewa Juszkiewicz transforms her striking surrealist 2021 oil painting, Ginger Locks, reminiscent of a 19th century portrait, into an inspiring Artycapucines bag.
In their ongoing project “Waiting for the Snow”, cousins Katarzyna and Marianne Wasowska offer an intimate portrait of Poles who emigrated to Brazil and Argentina, where there is also a sizeable diaspora.
Juxtaposing haunting self-portraits against mystical Polish landscapes, Erinthul’s work has been praised for its Tolkienesque qualities.
Considered one of the most influential photographers of her era in the 1950s, 60s and 70s, Nasierowska was best known for her black-and-white portrait photographs of famous Polish personalities from the realm of arts and culture.
Demanding a significant amount of application skill, Arkadiusz Andrejkow’s seasonal works have a gently haunting quality to them, featuring weathered faces and piercing eyes gazing forth from the frozen winter landscape.
Said to be written by an SS officer in 1947, the letter is the first documentary evidence that Raphael’s Portrait of a Young Man was transported at the end of the war from Kraków to Germany.
Taken at the Moremi Game Reserve in Botswana, Tomasz Szpila’s hypnotic photo was awarded ‘Category Winner’ in the Nature TTL Photographer of the Year 2022 competition’s Wild Portraits section. Two other Polish photographers were also award runner-up in the Landscapes and Under 16s categories.
Released tomorrow (May 24), What the Ermine Saw: The Extraordinary Journey of Leonardo da Vinci’s Most Mysterious Portrait by Eden Collinsworth reveals the astonishing history behind one of Poland’s most beloved national treasures and a painting that many rank as better that even Da Vinci’s best-know work the Mona Lisa.
On public view until the beginning of August, The Polish Rider is one of only two equestrian portraits to have been painted by the Dutch master and its fleeting return has been seen as a major coup by art fans in Poland.
Taken largely in the satellite towns and villages outside of the Polish capital, the images evoke a range of emotions and are defined by their sincerity and sensitivity.
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