Just a short train ride from Warsaw are two contrasting cities that lie only a stone’s throw apart.
Chełmoński’s ‘Four-In-Hand’, considered to be the peak achievement of naturalism in Polish painting, is so big that instead of moving the paining the specialist work is being carried out on-site making it a unique opportunity for art lovers to see and learn about state-of-the-art restoration techniques.
The gallery under the hashtag #poznajdziełaodzyskane invites social media users to see and learn about how Poland managed to regain formerly lost works of art.
The go-ahead to reopen comes 53 days after the castle closed its doors in March and is part of the second stage of what the government is calling ‘defrosting the economy’.
Zdzisław’s Beksiński’s paintings are known around the world owing to the unique style of the Polish artist. From April 25 people have been able 50 of his paintings thanks to an online gallery. The physical gallery is located in Nowohuckie Centrum Kulftury (NCK) in Kraków. The paintings were painted mainly in the 1980s, from what is known as the “fantastic period” of the artist’s life during which he created most famous works.
From dancing dolls to ancient rat traps, the museum in the east has something for everybody.
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