Art attack! Unexpected, urban outdoor art show takes the Tri-City by surprise
In a year heavily disrupted by the pandemic, the City Culture Institute in Gdańsk has come up with an innovative method to continue involving the community in their art exhibitions.
Launched following the cancellation of their other exhibitions, Sekrety (Secrets) has enabled artists to show their creativity in urban settings while also allowing residents to interact with the art out in the open.
Natalia Cyrzan, curator of the City Culture Institute, said: “For the City Culture Institute, this year meant, among others, the necessity to cancel the NARRACJE festival and subsequent editions of the Places cycle. For years, both projects have given artists the opportunity to discover urban nooks and crannies and leave more or less permanent traces in them.
“While understanding that a certain formula of events simply cannot be implemented within the limits of today’s restrictions, we did not want to give up our spatial activities with the creators.” She continue. “That is why we decided to propose to a dozen or so artists from the Tri-City that, using the media of their choice, they send a series of secret messages to the world.”
The first four projects have already been revealed while more will be announced via the Institute’s social media channels over the coming weeks.
So far art lovers in Gdańsk have been able to view Jacek Niegoda’s playfully instructive pictograms. Attached to abandoned fridges, they seek to act as a reminder of our ecological responsibilities when discarding waste.
Other striking efforts have included the work of Przemysław Garczyński, which can be discovered on a billboard hanging at the intersection of Armii Krajowej and ul. Dragana.
The first artwork to debut as part of the project was Julita Wójcik’s tribute to a 150-year-old tree, whilst Agata Roguziak has opted to leave decorative, miniature figurines sprinkled around one of the city’s parks.
“This collection of ceramic figurines was created out of my love for children’s illustration,” says Roguziak. “I take inspiration from the language of drawing and translate its two-dimensionality into a spatial form. I want these ceramics to bring joy to the recipients, so that people associate them with something pleasant. The reality that surrounds us seems to be full of horrors, so I hope my ceramic world builds positive feelings and associations.”
Next week the work of two more artists will be unveiled: I Know Every Stone Her by Karolina Kardas looks set to premier tomorrow, and that will be closely followed on Wednesday by It’s Good To Cry by Agata Królak.
The winner of the 2017 President of Elbląg Artistic Award, Kardas is known for “work that examines the relation between spirituality and carnality, and the connections between our bodies and architecture.”
Agata Królak, on the other hand, is an author and illustrator of children’s books and enjoys a reputation for creating interactive art that engages younger children.
This, however, is not the end. More billboard art and instructional pictograms are also set to appear, among them works by Adam Witkowski, Agata Nowosielska and Jakub Danilewicz.